Shortened Training Sequences from the 22 Form

Learning the traditional 108-form is a challenge for today’s students with short attention span. Practicing is also a challenge as the long form can take up to 2 hours to complete one cycle.

To overcome these constraints Grandmaster Wei Shuren created the 22-form which takes a much shorter time to practice. It does not mean the learning is easier. It is only easier in that a few techniques are skipped and we don’t have to remember a lengthy sequence.

Today the issues of short attention span and not enough time is a day are still present. If anything, the issues are worse than ever in that people have even shorter attention span and there is simply not enough time to do the so many things that we want to do in a day.

Training just a few techniques from the form is not new. I used to train either a repeating sequence of Wild Horse Parts Mane or longer sequence of Wild Horse Parts Mane, Play Pipa and Repulse Monkey. I used the shorter training sequences to focus my training of a few key principles.

Over time an idea emerged – why not apply this focused training to the entire 22-form? The techniques can be grouped and trained as short sequences. In this way, if you don’t have the time you can just practice one or two sequences. At the end of the learning you can simply piece together what you have learned and voila! you have the 22-form.

There is one advantage to practice the 22-form as sequences and that is you get to practice both left and right sides of a technique. For example, in the 22-form we only practice Play Pipa and White Crane Spreads Wings on one side. But in the sequence training we get to do both sides.

Also, since the sequences are repeating movements you can just keep practicing for as long as you like, and even pick up the practice again if you get distracted and called away for a few minutes.

Re-arranging the 22-form as training sequences also called for standardizing the mode of instruction on how to move, how to step, etc. This involves simplifying certain things and try not to lose anything important along the way. Simplification is necessary because there are many steps to performing a movement even for the very absolute beginner. We want to ensure that we keep the essentials even as we want to make the learning and on the flip side, the mode of instruction friendly.

Sequence 1
Commencement posture
Cross hands
Closing
Repeat

Sequence 2
Left Wild Horse Parts Mane
Right Wild Horse Parts Mane
Left Wild Horse Parts Mane
Left Play Pipa
Right Repulse Monkey
Left Repulse Monkey
Right Repulse Monkey

Right Wild Horse Parts Mane
Left Wild Horse Parts Mane
Right Wild Horse Parts Mane
Right Play Pipa
Left Repulse Monkey
Right Repulse Monkey
Left Repulse Monkey

Sequence 3
Right White Crane Spreads Wings
Left Brush Knee, Twist Step
Left White Crane Spreads Wings
Right Brush Knee, Twist Step
Repeat

Sequence 4
Right Brush Knee, Twist Step
Left Brush Knee, Twist Step
Left Play Pipa
Right Repulse Monkey
Left Repulse Monkey
Left Grasp Sparrow’s Tail

Left Brush Knee, Twist Step
Right Brush Knee, Twist Step
Right Play Pipa
Left Repulse Monkey
Right Repulse Monkey
Right Grasp Sparrow’s Tail

Sequence 5
Left Cloud Hands (1x, 2x, 3x)
Left Single Whip

Right Cloud Hands (1x, 2x, 3x)
Right Single Whip

Left Cloud Hands (1x, 2x, 3x)
Left Single Whip

Repeat

Sequence 6
Left Single Whip
Right High Pat on Horse
Right Separate Leg
Double Fists Strike Ears
Left Heel Kick

Right Single Whip
Leftt High Pat on Horse
Left Separate Leg
Double Fists Strike Ears
Right Heel Kick

Sequence 7
Left Single Whip Lowered Posture
Right Golden Rooster Stands on Left Leg
Left Fair Lady Works Shuttles
Right Fair Lady Works Shuttles

Right Single Whip Lowered Posture
Left Golden Rooster Stands on Left Leg
Right Fair Lady Works Shuttles
Left Fair Lady Works Shuttles

Sequence 8
Left Single Whip Lowered Posture
Right Golden Rooster Stands on Left Leg
Left Sea Bottom Needle
Left Fan Through Back

Turn 180 Degrees

Right Single Whip Lowered Posture
Left Golden Rooster Stands on Left Leg
Right Sea Bottom Needle
Right Fan Through Back

Sequence 9
Right Fan Through Back
Right Chop Body Fist
Step Back, Move, Obstruct, Right Punch
Left Apparent Close-Up

Turn 180 Degrees

Left Fan Through Back
Left Chop Body Fist
Step Back, Move, Obstruct, Left Punch
Right Apparent Close-Up

Checking Training Progress

Any insights lately? 

This is a question commonly asked by masters of their students.

The reason for asking is to check if the student has been practicing. A student who has been practicing regularly and has put in the hours will have questions and insights.

The questions and insights indicate to the teacher whether the practice is in the right direction and how far along it has progressed. This in turn helps the teacher determine whether to release new material or continue with the current material.

Beginners tend to have more questions than insights. If a beginner has no questions, it means they have already figured everything out or simply haven’t been practicing, hence no feedback.

If you practice carefully over a long period of time, you will inevitably and perhaps suddenly experience a moment of enlightenment. It may be that you suddenly figured out a connection between something you know from elsewhere and your current practice that you did not notice before. Or you may suddenly realize something about Technique A that can be applied to Technique B. 

This flash of insight can occur during practice, while you are in the shower, or when you are reading about something that seems unrelated on the surface but suddenly connects to your current study. Let me give some examples of insights from my practice below.

Fan Through Back – In this technique we spread the arms at the end like a hand fan spreading out the leaves. When I opened a hand fan, I saw that the head also opens up because of the rivet.

So I wondered if the legs should also open up like the fan head opens. This means when performing Fan Through Back when our fists move downwards it should cause our legs to open up. Then when the fists move upwards and reach the end position, they should open into palms like the leaves of the fan. 

Now this is not mentioned in the book on the 22-form so I asked my teacher. He said that Grandmaster Wei Shuren did not teach this but it certainly made him think. A few years later when my teacher was teaching a group of students he stressed to the group to open up the bottom part before moving on to the top. Imagine my surprise when I saw the video.

My surprise was more so when you considered that my teacher is the designated keeper of the style. You would normally expect a person in this position to stick religiously to the teachings he received and pass them on unchanged. However, this was not the case, which gave me a second insight.

I actually had this second insight much earlier when I asked my teacher about the chapter on the 8 Types of Force and the other chapter on 64 Methods of Internal Strength Training. 

My teacher said that originally the chapter on the 64 Methods of Internal Strength Training was not supposed to be in the book because those methods do not exist in the system. However, Grandmaster Wei included it to make the system more complete. So now you know : the 8 Types of Force are what’s important. While you can combine the 8 Types of Force it does not mean you must end up with the 64 combinations though mathematically this would have been the logical outcome.

From here you can surmise that knowledge can be added, subtracted or lost. If something is useful, it gets added. If something is of no use, then you either set it aside or discard it. Insisting that knowledge that is passed down is unchanged and will be passed on as it is does not really make sense because the only constant in life is change. If everything cannot be changed that how does one explain evolution. In fact, many systems are created because the founders experienced insights that led them to changed what they know for the better. But I guess this lesson is missed by those who insist on no change.

For example, I learned an old Wing Chun style where they originally included head butts in their dummy forms. You might think that’s crazy, huh! until you see those videos of northern styles practicing head butts on trees. In this Wing Chun style when they realized that head butts were contributing to health issues they eliminated the head butt techniques from the dummy forms.

Similarly, there is a southern Shaolin system whereby a number of practitioners experienced heart issues after practicing their forms which utilize isometric tension. The grandmaster solved the issue by creating a soft form and adding it to the system.

Another example of insight is from Step Back, Repulse Monkey. At the end of the technique we imagine a dot in space in front of us dissipating at the same time as the Small Chi Sphere in our lead hand dissipates, feeling as if our Chi is reaching across space towards the dot.

When you practice this enough, you will feel your body fill up with Chi and expand like a balloon even as the dot and Small Chi Sphere dissipate. However, if you focus more on the opening and closing of the body a different insight might pop into your head. In my case, I suddenly thought of a dragon head swallowing and spitting a fireball.

The imagery of a dragon head swallowing a fireball into its body, then letting the fireball come up back, and spitting it out, comes from the transition between the Cloud Hand (3 opening, 3 closing) and Single Whip technique. 

So my insight is that I can use the dragon head swallowing and spitting a fireball in Repulse Monkey. Since there are four Repulse Monkey techniques (2 left, 2 right postures) we can practice the dot dissipation in the 1st and 2nd Repulse Monkey, and the dragon head in the 3rd and 4th Repulse Monkey.

There is a secondary insight from this – using the dragon head in Repulse Monkey makes it easier to actualize the 9 Bend Pearls. So you end up with two forces if you practice Repulse Monkey this way.

Insights like these are what make the 22-form such fun to practice. If this is something you would go for, just put in the practice. As my teacher said the true price that you pay for the skill is not money but the time you put into it.

Old Six Routines

I first heard of this Yang style from Victor Leow, my Wing Chun senior who mentioned it in a letter to me. This letter postmarked 4 Aug 1993 is when he mentioned the first book on the OSR 108-form, saying that the book revealed the secrets. At that time he was learning Yin Yang Baguazhang from Master Xie Shoude, who was Grandmaster Wei Shuren’s disciple number eight.

Later Victor learned OSR from Master Xie. In another letter dated 30 Aug 1994 he wrote :-

[8] The Yang Tai-Chi is really quite amazing but it sure takes its time. My very short and brief experience suggests that a course on the 37-Form is a great help because of its familiarisation with Not-Moving-the-arms and the so-called Beautiful Ladies Hand.

Victor is referring to the Cheng Manching 37-form above.

In Victor’s next letter postmarked 22 Dec 1994 he mentioned the opportunity to learn from Grandmaster Wei himself as Master Xie had brought the old master to Sydney for a private seminar.

In this letter Victor mentioned that they saw first hand how Grandmaster Wei could send Master Xie flying off dramatically. The secret lies in a simple principle that everyone knows but not necessarily know how to use properly – intent.

From that time I had kept an eye out for the book on the 108-form, eventually buying it when it was available. Much later I also looked through copies of old and new Chinese martial arts magazines for any articles mentioning OSR. I did managed to find some written by Grandmaster Wei.

So as far as I could tell no one outside Grandmaster Wei’s lineage used the name OSR. Until much later when the 2nd book on the 22-form came out and caused a stir. That’s when Grandmaster Wang Yongquan’s early disciples also claimed that their Yang Chengfu variant of the Yang form is also called ……tada!….. you guessed it, OSR.

Today when I googled the name Old Six Routines I will come across either our version of OSR or the other party’s version. I have read comments where viewers were confused as to which is which. I don’t blame them for being confused. If I were’t involved back then I would be just as confused today.

In Grandmaster Wei’s lineage the 108-form, the 22-form and the 37-form are all Old Six Routines forms. So when you say OSR you have to mention which form you are referring to if you are to avoid confusion. For clarity, I just refer to the 22-form as the 22-form. Incidentally, I came across another Yang style 22-form recently taught by Master Yang Jun!

Anyway aside from the common denominator of Grandmaster Wang Yongquan, our OSR has nothing to do with the other party’s OSR except in name. The difference is obvious to anyone who has taken a look at the 108-form from each sides. Their OSR looks like the typical Yang Chengfu 108-form and I should know since I learned the Dong style variant of the Yang style 108-form.

Our version of the OSR simply looks too different not just from the Yang Chengfu variants but also the other Yang style that claims lineage from the other Yangs (Yang Chienhou, Yang Shaohou, Yang Banhou).

As to why the lineage also claimed their form is OSR I have heard stories. However, since some of the people involved have already passed on I will let sleeping dogs lie. Politics don’t interest me, only the skills that I can learn regardless of lineage or origin. This is how we can move ourselves forward.

Leave the politics aside. Learn from each other. Progress together. This is how we can revive Tai Chi regardless of style.

What is Yang-22?

Featured

Yang-22 is dedicated to the informal sharing of my practice of the Yang style Tai Chi Chuan 22-form that was created by Grandmaster Wei Shuren.

I started my learning of the 22-form in 1997. It is the one form that I have spent the longest time practicing.

I still keep up the practice to this day, though not spending as much time as I would like. There are so many things to learn from this one form. Just to discover its contents as listed in Grandmaster Wei’s Book 2 & 3 on this particular Yang style will surely take a long, long time.

The 22-form is one form that is never boring to practice. Practicing the form is like reading a well written book and discovering something more about it each time I read it again.

I won’t try to offer instructions on how to practice the 22-form as this would be quite the challenge to do so in a blog. However, if you already practice the 22-form and your progress has slowed down then perhaps the information here would be of use to get you out of the rut.

That’s it for now. It is time for me to go and practice.

GENERAL

Old Six Routines

Guidelines to Mastering the Yang 22-Form

Checking Training Progress

Form & Application

The Energetic Forces

PRINCIPLES

The Eyes

Empty Armpits

The Elbow-Waist Connection

Opening the Chest

2/4 Dots

Simplifying 2/4 Dots

The Mental 2/4 Dots

2/4 Dots & The Rolling Ball

The 3 Passes

The 3 Passes & 2/4 Dots

Heaven, Earth, Man

The 3 Chi Rings

The 3 Chi Rings Part 2

The 3 Chi Rings Part 3

The 5 Bows

The 5 Bows Part 2

The 5 Bows Part 3

Ancient Bell Body

Ancient Bell Body Part 2

Ancient Bell Body Part 3

Chest Cross

Elongated Wrist

Elongated Wrist 2

Small Chi Sphere

Palm, Fist, Hook

Strength Source

Carrying a Scepter

9 Bend Pearls

PRACTICE

22 Techniques of the 22-Form

Studying the 22-Form as Sequences

Shortened Training Sequences from the 22 Form

Sequence 1 – Wild Horse Parts Mane

Sequence 2 – Brush Knee, Twist Step & White Crane Spreads Wings